The Winchell Riots: Red Square EP
Band member Phil McMinn: "Based on an old map of Milton in Scotland, where my parents grew up, Rian has customised the details within the map to include lyrics from the songs. A lot of the lyrics on the EP deal with space travel, oceans and the idea of history, and Rian accordingly designed the package to look like a lost library artefact, sticker sealed, barcoded and number-stamped." Creative Review
Rian Hughes talks 'Type Exotica' as part of The Letter Exchange Lecture Series
"Rian Hughes has a fascination with exotic display type. Reared on 70s Letraset and headline faces from the pre-digital world of phototypesetting, he will take us on a trip through his varied font library. Fonts he has produced for the Device library evolved from many sources - commissions for logos, one-off high concepts, chance encounters, and holiday snaps. As well as the type exotica, he will also discuss the genesis of some "serious" faces: 'Paralucent', his hugely popular modern sans; the intriguing history of 'Ministry', a revival of the UK road signage font, anonymously designed in 1930s and replaced by Transport Alphabet in 1965; and 'Korolev', designed by an anonymous Communist designer for the Red Square parade of 1917. Now enhanced by the possiblities of Opentype ligatures, swashes and CE support, Rian presents an eclectic and broad range of approaches and styles."
17 November 2010. Lecture starts at 6.30pm prompt.
Venue: The Art Workers' Guild, 6 Queen Square, LondonWC1N 3AT Letter Exchange
Rian at the Literary Dundee Comic Conference
Sunday 27th June, 2010 Literary Dundee
Stuart Sandler's project to digitise the Filmotype vintage font library goes live. Rian has stepped in to revive Filmotype Modern, a font he used extensively on Knockabout's covers. Back then, he had it set on an old typositor. Originally introduced in the early 1950s, it is the essence of mid-century casual playfulness. Based on scans of the original 2" font filmstrips, the revival includes a full international character compliment, automatic ligature combinations, ordinals, fractionals, and a host of alternate characters in dynamic OpenType format.
Custom Lettering of the '60s and '70s
Featuring over 5,000 examples, this 580-page volume celebrates the stylistically inventive and diverse field of hand-drawn type. Back before the digital age, the best way to execute a unique headline was to draw it - by hand. Collected here are samples that range from the florid to the chunky, from the elegant to the dramatic. A rich source of inspiration for designers, type aficionados and retro lovers. Edited and designed by Rian, and published by Fiell, the new arts and design-led publishing house from Charlotte and Peter Fiell. Fiell