Klickclack

Klickclack

Klickclack Regular

Klickclack Regular

Klickclack Swash

Klickclack Swash

Typography is the design and arrangement of the simple graphic glyphs that embody language. A typeface conveys tone and emotion, often before a single word is read. Each character is shaped by centuries of use, misuse, and reinvention; these glyphs aren’t static, they mutate to reflect shifts in culture and technology. Type carries the fossil imprints of its evolution: the serifs of the Roman chisel, the flourish of pen on parchment, and more recently, the mechanical construction of pixels and Bézier curves. The anatomy of a typeface – its ascenders, bowls, terminals, x-height – operates as a kind of dialect; a grotesque sans and a humanist serif speak with very different inflections. Typography is rarely neutral – it encodes values like reliability, luxury, rebellion, sincerity, intimacy. True geometry rarely reads well to the human eye. Letters must often be subtly distorted to look correct. Circular letters like “O” overshoot the baseline and cap height to appear optically aligned; vertical and horizontal strokes differ in thickness to appear equal. These imperceptible adjustments are foundational to good type design.

Klickclack Regular

Typography is the design and arrangement of the simple graphic glyphs that embody language. A typeface conveys tone and emotion, often before a single word is read. Each character is shaped by centuries of use, misuse, and reinvention; these glyphs aren’t static, they mutate to reflect shifts in culture and technology. Type carries the fossil imprints of its evolution: the serifs of the Roman chisel, the flourish of pen on parchment, and more recently, the mechanical construction of pixels and Bézier curves. The anatomy of a typeface – its ascenders, bowls, terminals, x-height – operates as a kind of dialect; a grotesque sans and a humanist serif speak with very different inflections. Typography is rarely neutral – it encodes values like reliability, luxury, rebellion, sincerity, intimacy. True geometry rarely reads well to the human eye. Letters must often be subtly distorted to look correct. Circular letters like “O” overshoot the baseline and cap height to appear optically aligned; vertical and horizontal strokes differ in thickness to appear equal. These imperceptible adjustments are foundational to good type design.

Klickclack Swash

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Þ
Ā
Ă
Ą
Ć
Ĉ
Ċ
Č
Ď
Đ
Ē
Ĕ
Ė
Ę
Ě
Ĝ
Ğ
Ġ
Ģ
Ĥ
Ħ
Ĩ
Ī
Ĭ
Į
İ
Ĵ
Ķ
Ĺ
Ļ
Ľ
Ŀ
Ł
Ń
Ņ
Ň
Ŋ
Ō
Ŏ
Ő
Œ
Ŕ
Ŗ
Ř
Ś
Ŝ
Ş
Š
Ť
Ŧ
Ũ
Ū
Ŭ
Ů
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ż
Ž
Ș
Ț
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
þ
ÿ
ā
ă
ą
ć
ĉ
ċ
č
ď
đ
ē
ĕ
ė
ę
ě
ĝ
ğ
ġ
ģ
ĥ
ħ
ĩ
ī
ĭ
į
ı
ĵ
ķ
ĸ
ĺ
ļ
ľ
ŀ
ł
ń
ņ
ň
ŋ
ō
ŏ
ő
œ
ŕ
ŗ
ř
ś
ŝ
ş
š
ť
ŧ
ũ
ū
ŭ
ů
ű
ų
ŵ
ŷ
ź
ż
ž
ș
ț
π
ª
º
0
1
2
3
4
5
6
7
8
9
!
#
*
,
.
/
:
;
?
\
¡
·
¿
"
'
«
»
(
)
[
]
{
}
-
_
&
@
|
©
®
°
$
¢
£
¥
%
+
<
=
>
~
^
×
÷
`
´
ˆ
˜
¯
˘
˙
¨
˚
˝
ˇ
¸
˛

Klickclack Character Set

About

A loose sans for all mod happenings, beatnik poetry readings, hootenanny hoedowns and kartoon kapers. Ya dig? Also included is a flourished swash variation which is most definitely not intended for caps-only use.