Worthington Arcade
Worthington Arcade
Typography is the design and arrangement of the simple graphic glyphs that embody language. A typeface conveys tone and emotion, often before a single word is read. Each character is shaped by centuries of use, misuse, and reinvention; these glyphs aren’t static, they mutate to reflect shifts in culture and technology. Type carries the fossil imprints of its evolution: the serifs of the Roman chisel, the flourish of pen on parchment, and more recently, the mechanical construction of pixels and Bézier curves. The anatomy of a typeface – its ascenders, bowls, terminals, x-height – operates as a kind of dialect; a grotesque sans and a humanist serif speak with very different inflections. Typography is rarely neutral – it encodes values like reliability, luxury, rebellion, sincerity, intimacy. True geometry rarely reads well to the human eye. Letters must often be subtly distorted to look correct. Circular letters like “O” overshoot the baseline and cap height to appear optically aligned; vertical and horizontal strokes differ in thickness to appear equal. These imperceptible adjustments are foundational to good type design.
Worthington Arcade
Worthington Arcade Character Set
About
Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates. It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface. The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E. Includes old-style numerals.